Across the nineteenth and into the first decades of the twentieth century, genre fiction developed that could incorporate and capitalise on shared assumptions about the behaviour of visitors to seaside resorts. For instance, Thackeray’s representation of the immorality of Regency Brighton in Vanity Fair (1848) establishes a literary tradition that transmutes into the shabby sexual convenience of Evelyn Waugh’s inter-war A Handful of Dust (1934) where characters stage, rather than perform, immoral acts in order to facilitate divorce proceedings, and also established the ground for the brutal disillusionment represented in Graham Green’s Brighton Rock (1936).
Freedom and …
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Citation: Oulton, Carolyn. "British Seaside Fiction". The Literary Encyclopedia. First published 23 August 2017 [https://staging.litencyc.com/php/stopics.php?rec=true&UID=19476, accessed 25 November 2024.]