On its 1972 première, Jumpers – with its generic polyphony and impressive theatricality – may have given us the most opulent of all of Stoppard’s coups de théâtre. The play opens with a bizarre scenario, featuring the mock-striptease of a female character swinging in and out of sight on a huge chandelier; another intoning various songs that become drowned out by the droning of aeroplanes overhead; and a group of eight acrobats who complete this truly theatrical opening tableau with their “jumping, tumbling, somersaulting” (18) at a London Mayfair Residence: The Radical Liberals have taken over the state and are euphorically celebrating their landslide victory. This initial physical scenario …
2625 words
Citation: Mader, Doris. "Jumpers". The Literary Encyclopedia. First published 02 March 2008 [https://staging.litencyc.com/php/sworks.php?rec=true&UID=4256, accessed 25 November 2024.]