Slavoj Žižek, Organs without Bodies: On Deleuze and Consequences

Kelsey Wood (University of Arkansas at Little Rock)

Ed. by Gerhard P. Knapp, University of Utah
The Literary Encyclopedia. Volume 1.5.2.07: French Writing and Culture: Postwar and Contemporary, 1945-present.
Vol. editors: Kate Averis (Universidad de Antioquia), Hugo Azerad (University of Cambridge), Patrick ffrench (King's College London), Edward Forman (University of Bristol), Akane Kawakami (Birkbeck, University of London), Siobhán McIlvanney (King's College London), Sinan Richards (King's College London), Tim Unwin (University of Bristol), David Williams (University of Sheffield)

Domains

Cultural Studies
Psychoanalysis

Dates

2004

Places

United Kingdom (Publication/ performance)

Resources

Several decades ago, Michel Foucault predicted that the twentieth century would someday be viewed as “Deleuzian”, and this prediction has in large part come true. Since the 1990s, Deleuze has been a central reference in both continental philosophy and Anglo-American cultural studies. But from Slavoj Žižek’s perspective, the hard kernel of Deleuze’s thinking was diluted by the popular but one-sided appropriation of vaguely Deleuzian notions applied unreflectively in cultural studies, film theory, and by the anti-globalists. In Organs without Bodies: On Deleuze and Consequences (2004), Žižek reveals two logics — two conceptual oppositions — that structure the work of Deleuze. On the one hand, there is the popular …

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2480 words

Citation: Wood, Kelsey. "Organs without Bodies: On Deleuze and Consequences". The Literary Encyclopedia. First published 08 April 2013 [https://staging.litencyc.com/php/sworks.php?rec=true&UID=34931, accessed 21 November 2024.]

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